PRODUCER, SOUND ENGINEER

BIO

Born in 1999, Sardinia (Italy), Beily began practicing Music Production in 2016 as a self-taught. He decided to remake the original beats of the most viral Hip-Hop songs in Italy, and publish them on his YouTube channel, obtaining particular success.

Making these beats from scratch makes him improve in production by incorporating new techniques and seeing how multi-platinum producers work.

In 2018, Beily started his first collaborations with some artists and began to deepen the world of Mix & Master.

In the following years he bring his sound to professional levels through tutorials on the internet, books and portals like Mix With The Masters.

Next step was London, where he lived for a year, improving English and collaborating with multi-ethnic artists in private or booked studios such as Pirate Studios.

" Through the use of Pro Tools and a set of plugins, Beily records the artist with the lowest possible latency, while still maintaining the utmost sonic quality providing him with monitoring as close as possible to the final result. "

CREATIVE PROCESS

Everything happens in the studio with the artist, Beily plays some beats or some of his loops inside FL Studio and start making drums based on the style and rhythm the artist deserve. In some cases he start making the beat from scratch.

While making the beat, the artist freestyles melodies to draw up an idea of the song, with the help of everyone present in the studio, a brainstorming phase is tackled in which many new ideas are born, he make the last changes to the beat and then move on to the recording phase.

The concept is that each song must have a sort of "color" that can be identified by each listener in a pronounced way. Each record must be unique, between the beat and the vocals there must be a constant communication for which, if one of the two is removed, the song no longer works, they must coexist.

The selection of sounds and the artistic direction of the artist's voice, is done by Beily in such a way that no element is random but each one ends the space for a definite reason. The finished product must be easily recognizable by a predominant detail deliberately left by Beily to give its recognizable touch (It can be the melody, a particoular percussion, etc).